New York City: A seven-foot-tall bronze sculpture of "Medusa With The Head of Perseus", a commentary on the #MeToo movement
In Ovid’s Metamorphosis, Medusa was a maiden in the temple of Athena, who was stalked and raped by Poseidon. Athena, in a rage, banishes and curses Medusa with a monstrous head of snakes and a gaze which turns men to stone. Medusa is herself blamed and punished for the crime of which she was the victim; she is cast away as a monster and then with the cruel assistance of Athena and Poseidon, eventually is hunted-down and beheaded by the epic hero Perseus, who displays her head as a trophy on his shield. Garbati’s sculpture speaks directly to the 16th Century Florentine bronze masterpiece Perseus with the Head of Medusa by Benvenuto Cellini (1545-1554). Through this work, Garbati asks “how can a triumph be possible if you are defeating a victim?”
This narrative of victim-shaming in stories of sexual violence echoes through time, and into the present day “me too” movement. In 2018, Garbati posted a photograph of his original sculpture to social media. This re-imagined Medusa went viral and became a symbol of resistance worldwide, inspiring thousands of women to reach out and share their own stories. Garbati’s Medusa questions the mythic figure’s characterization as a monster, and investigates the woman behind the myth.