The Eternal Honkey
Written by John (the other John).
The “Eternal Jew” was an anti-Semitic National Socialist manipulative propaganda film in 1940 that was falsely presented as a documentary film. Because Joseph Goebbels knew that the use of film was a critical tool to shape public opinion, they catered films to advancing the National Socialist agenda; this essentially made the film industry an arm of the National Socialist propaganda.
Leading up to film, the Propaganda Ministry presented an art exhibition in Munich in 1937 titled “Der ewige Jude” which displayed negative caricatures to portray Jews, which was then followed by a book of the same title, consisting of 265 photographs with derogatory captions of Jews. This influenced the pogrom known as Kristallnacht. The film then came next in 1940.
In its most basic description, this film was especially anti-Semitic. This “documentary” film began by showing rats in a sewer, then the film showed Jews in their “natural state” by living in filthy neighborhoods. The gist of this scene was that it referred to the entire group of Jews (without exception) as being wandering rats who in a 2,000 year period as oriental barbarians emigrated out of Asia and into Europe; and once in Europe, they disguised themselves with a mask to appear as civilized Europeans. While in Europe, by scheming and conniving they obtained economic/financial power over the host Europeans, who in due time the Jews oppressed the Germans. To that end, the film labeled the inferior parasitic Jews as a group as irredeemable hucksters (i.e., “group guilt”) who exploited the superior Germans, for which these acts in turn would justify the drastic measures to come against the Jews.
It is absolutely stunning how such hatred based on lies could ever have been born from the minds of human beings against their fellow human beings. But with the end of WWII and the defeat of National Socialism, such generalizations of spewing hatred against entire groups had become extinct. Or so we thought.
Turn the clock ahead to the 21 st century, in which Democratic Socialists distribute anti-white manipulative propaganda in all forms of media (film, video, books, pamphlets, lectures, theatre, etc…), which caricature whites in a negative way and which falsely presents lies as being historical fact in order to shape public opinion. This public-private partnership between the government (or “shadow government” from January 2017 to January 2021) and media/big tech/academia are the key players in this fraud that is disguised as “historical documentaries”; this essentially makes these private actors as arms of the Democratic Socialist Party.
These “documentaries” describe Europeans (i.e., whites) who settled/immigrated to the New World from 1492 to the very present day in 2021 as parasites who from the moment they landed here oppressed the Native Indians and the enslaved Africans.[1] While here, the whites schemed and connived to ultimately obtain economic/political/financial power over the host Natives and the enslaved Africans, and thereby they oppressed these people for the creation of white people’s wealth. To that end, these “historians” label the inferior parasitic whites as an entire group as being irredeemable hucksters (i.e., “group/blood guilt”) who exploited the superior Africans and Natives. For which these acts by whites in turn influenced the anti-white pogrom known as the “free stuff” riots in the summer of 2020, for which this will also justify the drastic measures to come against “The Eternal Honkeys”.
So when it comes to racial “group guilt”, the Jews of yesteryear and today’s whites share a common bond, whilst the 1930s/1940sNational Socialists and today’s Democratic Socialists too share a common bond.
Got it?
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